Creativity describes how work is done. Culture determines whether it is recognised, protected, and paid. Why naming women’s labour as cultural work — not just creative output — is the structural shift that changes everything.
Tag: Creative Women’s Association
Authorship has always been more than a name on a page
Women perform the majority of unpaid labour and creative production, yet authorship and economic recognition remain structurally denied. This article examines how unpaid care, creative work, and enterprise are extracted without return — and why the issue is one of system design, not culture.
The Skills We Keep Talking About
The OECD Skills Outlook 2025 confirms what many already know: skills systems are failing not because people lack talent, but because workforce structures ignore care, health, and real-life complexity. The Creative Women’s Association is moving beyond commentary to build the missing infrastructure — transforming skills recognition, creative labour, and economic participation through measurable, standards-based reform.
The Mark That Quietly Reorders What We Value
The Common Seal is a mark of provenance that recognises care, teaching, and cultural labour as foundational economic activity. By quietly reordering how value is assigned, it restores status, security, and legitimacy to the work societies depend on most.
What We Choose to Protect Says Who We Are
Intangible cultural heritage reveals what societies choose to protect. As UNESCO frameworks show, nations that safeguard living practices—craft, making, and cultural knowledge—build stronger economic and cultural futures. Australia’s absence from global intangible heritage listings raises a deeper question about maturity, provenance, and the value of creative labour.
We Care Alot.
Certain forms of work sustain people, culture, and place — yet remain undervalued in modern economies. This article explores why restoring status, security, and recognition to care, teaching, and cultural labour is essential to a liveable future.
1969 Was Supposed to Change Everything.
In 1969, Australia recognised equal pay for equal work. What never followed was the infrastructure to support women’s real working lives — particularly where creativity, care, and economic security intersect.
Into 2026
From creative practice to Creative Authority: how the Creative Women’s Association moved from grassroots creativity to national workforce reform in just three months, reshaping how Australia recognises creative labour, women’s work, and economic value.
Creative Health Isn’t a Side Project.
Creative health is not a small-grants sector — it is a missing economy. When women are supported to sustain caregiving and skilled creative labour through proper workforce infrastructure, billions in lost productivity and preventative health value can be unlocked.
When Did Art Stop Being a Trade
What does “creative” actually mean — and when did art stop being a trade? This article explores how arts shifted from skilled, trade-based practices into performative spectacle, and how that transition reshaped value, labour, and women’s work in the creative economy.