Outline of program sessions and days

Across two in-person summit days, Creative Practitioners will come together to learn from subject matter experts, explore emerging leadership practices, and co-design bold futures.

The Commencement Summit (Term 1) sets the tone with vision-building, keynote provocations, and peer connection.
The Graduation Summit (Term 4) celebrates achievements and showcases inquiry outcomes from Australia’s first CEP cohort.

Discipline Days provide space for deep, focused exploration of real-world challenges and opportunities in each practitioner’s chosen field.

Participants engage in critical dialogue, creative problem solving, and evidence-informed workshops guided by Advisors and subject matter experts. These sessions support the development of practitioner inquiries and facilitate connection within discipline-aligned peer groups.

Each term, participants gather for CELC Days—regional or local learning communities designed to embed discipline learning into real practice and place.

These days support connection across disciplines and sectors, allowing participants to reflect, refine, and apply their learning with support from peers. CELC Days prioritise dialogue, co-creation, and collective insight grounded in context, community, and care.

Locations will be matched to participants’ regions wherever possible, with blended or hybrid options under consideration.

Creative Practitioners will complete two inquiries over the course of the program: one collaborative and one independent. These are practice-based, real-world investigations grounded in personal, organisational, or community contexts.

Through this process, practitioners learn to gather evidence, reflect critically, test new approaches, and evaluate their creative and cultural impact. Inquiry is central to the CEP model—it builds leadership, authorship, and applied capability.

To graduate from the Creative Excellence Program, participants must:

  • Attend at least 90% of scheduled learning sessions
  • Complete and submit inquiry documentation and reflection aligned with CEP quality indicators

Graduates will be recognised as part of the inaugural CEP alumni network and may be eligible to apply for the Creative Excellence Fellowship—a post-program opportunity to lead a funded, high-impact project that transforms creative practice and strengthens the creative economy.

Got Research?

Are you a researcher or expert reshaping how we understand art and culture? Submit your insights, case studies, or data-backed papers to Scientific Notebooks — and help turn evidence into impact.


Read More from The Gazelle

Australia Once Made Its Own Cloth.

Australia Once Made Its Own Cloth.

Australia produces world-class wool yet imports most finished textiles. The Commons Exchange proposes a fibre-to-cloth revival, rebuilding domestic textile manufacturing …
The Future of Women’s Work Is Already Here

The Future of Women’s Work Is Already Here

The future of women’s work is not simply about participation rates or automation forecasts. The Creative Women’s Association Verified Cultural …
In Real Life (irl)

In Real Life (irl)

The World Bank’s Women, Business and the Law 2024 report assessed 190 countries and found a “shocking” gap between policy …
Australia Is Not a State Party to the UNESCO Safeguarding Convention

Australia Is Not a State Party to the UNESCO Safeguarding Convention

Australia is not a State Party to the UNESCO 2003 Convention, meaning there is no national safeguarding system for living …
That’s Not My Name

That’s Not My Name

Arts networks consistently fail to reach CALD and trade-skilled women because many do not identify as “artists.” When culture is …
The Future of Women’s Work

The Future of Women’s Work

The future of women’s work is largely absent from mainstream “future of work” debates. This article outlines why women’s labour …
If Australia Had Protected Its Culture

If Australia Had Protected Its Culture

If culture is work, where are Australia’s cultural sectors? While Japan and other nations define, protect, and measure cultural labour, …
Women of Apollo: Ann R. McNair and Mary Jo Smith with Model of Pegasus Satellite, July 14, 1964

Changing the Physics of the Economy

Women aren’t exhausted because they lack resilience. They’re exhausted because the systems they live and work inside were never designed …
Building the World That Actually Works

Building the World That Actually Works

What does real prevention look like when systems are designed to support women’s agency, authorship, and economic independence from the …

Designed with WordPress