Australia’s creative economy is already carrying significant economic weight, but much of that value remains unmeasured and unprotected. Without recognising domestic and care load, creative labour—particularly women’s—continues to subsidise the economy invisibly, resulting in systemic loss rather than shared wealth.
Category: Blogs
Across the Commonwealth
Australia’s cultural labour has long powered industry, health, and community life—yet without provenance, its value leaks away. This article explores why recognising cultural contribution as trained labour, protected through provenance, is essential to building a resilient national economy.
Provenance as Economic Infrastructure
Employment in the Harris Tweed industry grew by 570% following the introduction of certification and protected provenance. This data-driven case study demonstrates how provenance operates as economic infrastructure, enabling workforce growth, regional stability, and long-term productivity in creative sectors.
1969 Was Supposed to Change Everything.
In 1969, Australia recognised equal pay for equal work. What never followed was the infrastructure to support women’s real working lives — particularly where creativity, care, and economic security intersect.
Into 2026
From creative practice to Creative Authority: how the Creative Women’s Association moved from grassroots creativity to national workforce reform in just three months, reshaping how Australia recognises creative labour, women’s work, and economic value.
Creative Health Isn’t a Side Project.
Creative health is not a small-grants sector — it is a missing economy. When women are supported to sustain caregiving and skilled creative labour through proper workforce infrastructure, billions in lost productivity and preventative health value can be unlocked.
When Did Art Stop Being a Trade
What does “creative” actually mean — and when did art stop being a trade? This article explores how arts shifted from skilled, trade-based practices into performative spectacle, and how that transition reshaped value, labour, and women’s work in the creative economy.
Why We Built Trades for Boys
Australia has spent decades building trade pathways for boys while leaving women’s creative labour without workforce infrastructure. This article examines why the creative economy emerged from women’s historical trades — textiles, design, and cultural production — and how the failure to formalise these as certified professions has created systemic economic insecurity for women.
If Life Were Golf, Women Would Be Starting Four Suburbs Back
A humorous, relatable exploration of the Domestic Load Handicap (DLH) — a new model that uses real-world data to measure the domestic and mental load carried by women. This piece reframes women’s overwhelm as a predictable structural outcome, not a personal weakness, highlighting how DLH can transform women’s health, economic security, and daily life.
Toxic Beauty
A searing critique of Toxic Beauty—the modern phenomenon where empowerment, self-compassion, and body positivity are weaponised to justify extremes. This article explores the collapse of common sense in beauty culture, drawing on research from Psychology Today, Verywell Mind, and the International Journal of Indian Psychology.